|
1. Hand shape
Many piano teachers in the education of students, will repeatedly emphasize the problem of hand shape, tell children want to learn the piano, the correct hand shape is very important. In fact, after everyone's piano level reaches a certain level, they don't need to be restricted to the hand shape, just like Mr. Jin Yong's description of swordsmanship, which is that there is no way to win and there is a way to win. The most important thing is that it is impossible to have a constant hand shape, which will change with the sound shape. All in all, it's OK for the hand to support the arm.royal academy arts
2. Hand shape tips
Although the hand shape is not the same, its core will not be different. First of all, when playing the piano, you should use your fingertips more and learn to support the weight of your arm with your fingertips. Secondly, when playing the piano with fingertips, pay attention to the palm to relax as much as possible, and play the piano with the most natural hand shape. The wrist needs to be flat when playing, which will help to transfer the force of your arm to your fingertips under the action of gravity. If your wrist is also drooping when you play, your wrist will block the transmission of this force, resulting in insufficient strength of your fingers.royal academy schools
3. Wrists and palms
When playing the piano, the position of the wrist should not be too high, because the wrist position is too high, it will affect the activity of the fingers. The position of the palm on the keyboard needs to be positive. In short, the place where the finger touches the key should be vertical or nearly vertical to the surface of the key. Of course, this kind of hand shape does not need to keep the general state all the time, because when playing the piano, the fingers are stiff, so it is impossible to play, but at least it needs to keep the shape when it is put down. The elbow should be slightly outward, and do not clamp the body. This can be seen from the back of the hand, because when the elbow is too outward, the whole back of the hand is generally tilted, which can be regarded as a simple criterion.instrumental music school
4. Error correction method
If you always make mistakes when practicing the piano, and you can't break through the bottleneck when you encounter difficulties, you need to find a professional teacher to solve your problems, but if you can find a way to solve them, the effect will be better than the teacher. For example, for the octave problem, you only need to make sure that the octave is used more in that piece. Right, you can find the one of your corresponding skills in the special exercises of the second half of the piece, and stick to a few stars. This will be much more useful than practicing these difficulties in the piece.
Canadian piano class burlingtonroyalartsacademy.ca |
|